Download Leah’s Resume {click here}
Download Leah’s Headshot {click here}
Watch Leah on YouTube {click here}

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What people are saying about Leah: 

For Follies (Kennedy Center and Broadway, '11):

"Did I mention much of the cast is mirrored by actors playing their younger selves? This works most beautifully when Rosalind Elias and Leah Horowitz perform the light operetta sort of tune "One More Kiss." The elderly Heidi sings gloriously until the young Heidi appears behind her to belt it out even more beautifully. ...It's truly touching on so many levels."
 - Michael Giltz, HuffingtonPost.com

"Biggest surprise is the Franz Lehar/Victor Herbert pastiche "One More Kiss," from opera singer Rosalind Elias and Leah Horowitz as her younger ghost, which unaccountably stops the show." - Steven Suskin, Variety

"The surprise of the night for me was the charm of “One More Kiss,” done in operetta style by Rosalind Elias singing with her younger self, the beautiful Leah Horowitz. The audience went wild..." - Liz Smith, wowowow.com

"The opera singer Rosalind Elias and Leah Horowitz, who plays her younger doppelganger, ...create a moving duet of “One More Kiss”..." -  Washington Post

"...the venerable Met mezzo Rosalind Elias in "One More Kiss" [is] exquisitely echoed by Leah Horowitz as her younger self." - Howard Kissel, HuffingtonPost.com

"Leah Horowitz sings sweetly as Young Heidi in ["One More Kiss"]." - BaltimoreSun.com

"Rosalind Elias [sings] "One More Kiss" (a duet with the enchantingly-voiced Leah Horowitz as her younger self)..." - BroadwayWorld.com

"...opera star Rosalind Elias and Leah Horowitz gorgeously sing "One More Kiss"..." - Theatermania.com

""One More Kiss" -- its exquisite edge [is] provided by Rosalind Elias as Heidi Schiller and, as younger Heidi, Leah Horowitz. " - David Finkle, HuffingtonPost.com

"Rosalind Elias and Leah Horowitz contribute a haunting "One More Kiss"..." - Backstage

"In the second act of...Follies, legendary opera diva, Rosalind Elias...sings Sondheim's haunting nod to operetta, "One More Kiss." Behind her, we see the ghost of her younger self, played and sung flawlessly by Leah Horowitz, who joins her in song." - Naughty But Nice Rob, HuffingtonPost.com

"A perfectly grand Rosalind Elias and an exquisite Leah Horowitz make the lovely most of their “One More Kiss” aria. " - New Jersey Newsroom

"Kudos also to Rosalind Elias as the opera singer (“One More Kiss,” sung with a glorious Leah Horowitz as her younger self)" - Times Square Chronicles

"And feel the way that theater can get at the ineffable when Rosalind Elias, still blessed with a lovely classical voice after a 50 year career, sings “One More Kiss” while her younger self, Leah Horowitz, effortlessly sales to higher notes at her side. It’s a simple moment, delicately staged, and yet it speaks volumes about the pull of time and the joys of an intelligent, singular musical like Follies." - TheBroadwayBlog.com





For Showboat (St Louis Muny, '10):


"Leah Horowitz makes for a very appealing Magnolia, and displays a powerful voice as well..." - Broadwayworld.com

"Leah Horowitz demonstrates a magnificent voice and appealing demeanor as Magnolia..." - Ladue News

""You Are Love"...arguably the most soaring duet in all musical theater, [is] gorgeously sung by [Danny] Gurwin and [Leah] Horowitz."- Riverfront Times

"As the sweetly virtuous Nola and the gambling man she falls for, Gaylord Ravenal, Leah Horowitz and Danny Gurwin blend their voices beautifully in the romantic duets “Make Believe” and “You Are Love.” - stltoday.com


For Les Miserables:


“The love triangle is especially well-realized in the tender acting and fine singing of Leah Horowitz’s sensitive Cosette, Anderson Davis’ innocent Marius and Sarah Shahinian’s plucky, lovelorn Eponine. Their Heartful of Love trio is a major vocal highlight.” – Houston Chronicle (review of the Theatre Under the Stars production, ’09)

“Leah Horowitz, as Valjean's "adopted" daughter Cosette, bring[s] just the right in-the-dark quality to "In My Life" ” – Chicago Sun-Times (review of the Marriott Lincolnshire production, ’08)


For Emma (NYMF ’07):


“Leah Horowitz is a sweet-voiced, lovely, and nicely grounded Emma…” - Backstage
“Young and beautiful Emma (a terrific Leah Horowitz) matchmakes her way into trouble, and learns to grow up as a result of it.” –CurtainUp
“…An exquisite cast—led by the enthralling Leah Horowitz in the title role—…[Joel Adlen] gives Horowitz ample opportunity to show off her floaty, silvery high notes in Emma's many solos.” – Offoffonline.com
“Leah Horowitz is a beautiful Emma, singing with a sweet sympathetic tone and acting the part as well as Gwyneth Paltrow did in the film.” – Broadway Bridge and Tunnel Test


For The Pirates of Penzance at Theatre 1010 (NYC):


“…the true standout of the show was Leah Horowitz as Mabel. Horowitz was in danger of shattering the glass on the marquee in front of the theatre when she hit her high notes in "Poor Wandering One."” – The Off-off-Broadway Review (oobr.com)

For The Gondoliers at The Gallery Players, Brooklyn:

“Leah Horowitz made a stunning Casilda, her voice, poise, and comic timing an exultant example of musical comedy perfection…” –The Off-off-Broadway Review